If you do not set the preference to build high quality previews and thumbs, what you see in the thumbnails is normally an embedded JPEG which is part of the raw file and an exact match to an in-camera JPEG even if you don’t save one of these.
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In ACR/Bridge, you can choose as a Preference whether to build fast thumbnails or high quality, and whether to build full screen previews or accept whatever is embedded in the file. This is in addition to differences which can happen if you set the camera to shoot in sRGB (useful for the JPEG) but your computer to save as AdobeRGB (superior in many ways for raw conversions intended to be printed). Sometimes they look identical but then after working for a while and fine-tuning your preferences, you see big differences between the two if you shoot RAW+JPEG. Many users wonder, sometimes, why their raw pictures viewed in Adobe Bridge look different from in-camera JPEGs. There are also many fine adjustments you can make within these programs, able to customise the image output so that it either looks just like an in-camera JPEG of a chosen picture style, or like nothing you can produce in-camera. It’s now easy enough to find camera profiles – image looks created by independent photographers, as Adobe and Sony do not provide any – which make a big difference to raw processing using Adobe Camera Raw or Lightroom.
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